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	<title>Comments on: Jazz Propelled into Mainstream Conservatory Education: Gunther Schuller at  The Helm of NEC</title>
	<atom:link href="http://classical-scene.com/2009/12/09/jazz-propelled-into-mainstream-conservatory-education-gunther-schuller-at-the-helm-of-nec/feed/" rel="self" type="application/rss+xml" />
	<link>http://classical-scene.com/2009/12/09/jazz-propelled-into-mainstream-conservatory-education-gunther-schuller-at-the-helm-of-nec/</link>
	<description>a virtual journal and blog of the classical music scene in Boston</description>
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		<title>By: Lee Eiseman, publisher</title>
		<link>http://classical-scene.com/2009/12/09/jazz-propelled-into-mainstream-conservatory-education-gunther-schuller-at-the-helm-of-nec/comment-page-1/#comment-1129</link>
		<dc:creator>Lee Eiseman, publisher</dc:creator>
		<pubDate>Thu, 17 Dec 2009 15:57:48 +0000</pubDate>
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		<description>A reader emailed this excerpt from Wikipedia which supports the previous comment:

The world premiere took place on January 27, 1972, as a joint production of the music department of Morehouse College and the Atlanta Symphony Orchestra in Atlanta, Georgia. The performance was directed by noted African-American dancer Katherine Dunham and conducted by Robert Shaw, one of the first major American conductors to hire both black and white singers for his chorale. The production was well-received by both audiences and critics.[13]

Along with Joplin&#039;s first opera (A Guest of Honor, 1903), the orchestration notes for Treemonisha have been completely lost, so subsequent performances have been produced using orchestrations created by a variety of composers, including Thomas J. Anderson, Gunther Schuller, and most recently, Rick Benjamin.</description>
		<content:encoded><![CDATA[<p>A reader emailed this excerpt from Wikipedia which supports the previous comment:</p>
<p>The world premiere took place on January 27, 1972, as a joint production of the music department of Morehouse College and the Atlanta Symphony Orchestra in Atlanta, Georgia. The performance was directed by noted African-American dancer Katherine Dunham and conducted by Robert Shaw, one of the first major American conductors to hire both black and white singers for his chorale. The production was well-received by both audiences and critics.[13]</p>
<p>Along with Joplin&#8217;s first opera (A Guest of Honor, 1903), the orchestration notes for Treemonisha have been completely lost, so subsequent performances have been produced using orchestrations created by a variety of composers, including Thomas J. Anderson, Gunther Schuller, and most recently, Rick Benjamin.</p>
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		<title>By: Janet Anderson Bennett</title>
		<link>http://classical-scene.com/2009/12/09/jazz-propelled-into-mainstream-conservatory-education-gunther-schuller-at-the-helm-of-nec/comment-page-1/#comment-1118</link>
		<dc:creator>Janet Anderson Bennett</dc:creator>
		<pubDate>Wed, 16 Dec 2009 01:53:07 +0000</pubDate>
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		<description>The following correction should be notated:

In 1972 a production of the FIRST orchestration of Treemonisha was preformed in Atlanta Georgia. This orchestration was completed by composer T.J. Anderson, then composer in residence for the Atlanta Symphony. A recording was made by NPR of the production.</description>
		<content:encoded><![CDATA[<p>The following correction should be notated:</p>
<p>In 1972 a production of the FIRST orchestration of Treemonisha was preformed in Atlanta Georgia. This orchestration was completed by composer T.J. Anderson, then composer in residence for the Atlanta Symphony. A recording was made by NPR of the production.</p>
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