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	<title>Comments on: BMOP Does Band</title>
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		<title>By: Linda Osborn-Blaschke</title>
		<link>http://classical-scene.com/2010/01/24/bmop-does-band/comment-page-1/#comment-1480</link>
		<dc:creator>Linda Osborn-Blaschke</dc:creator>
		<pubDate>Tue, 26 Jan 2010 17:27:42 +0000</pubDate>
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		<description>Hi Tom and Lee:  The part called for either a pipe or Hammond organ.  He specifically asked for a theatrical (rather than church-like) sound.  It also indicated a piano could be used if no organ was available.  Thanks for the nice comment, Tom.  It was great fun!  Linda O-B</description>
		<content:encoded><![CDATA[<p>Hi Tom and Lee:  The part called for either a pipe or Hammond organ.  He specifically asked for a theatrical (rather than church-like) sound.  It also indicated a piano could be used if no organ was available.  Thanks for the nice comment, Tom.  It was great fun!  Linda O-B</p>
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		<title>By: Lee Eiseman</title>
		<link>http://classical-scene.com/2010/01/24/bmop-does-band/comment-page-1/#comment-1450</link>
		<dc:creator>Lee Eiseman</dc:creator>
		<pubDate>Mon, 25 Jan 2010 01:03:21 +0000</pubDate>
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		<description>Grainger had some interesting ideas about organs. He scored for the Hammond Solovox, http://www.hammond-organ.com/Museum/solovox.htm, an electric contraption which clipped under a piano keyboard. He also used melodeons and harmonia on more than a few occasions in his chamber music writing. His ideas about page turning, pasting his music into scrolls which he could advance with his knees, anticipated the Borromeo&#039;s practice of using laptop computers, perhaps.</description>
		<content:encoded><![CDATA[<p>Grainger had some interesting ideas about organs. He scored for the Hammond Solovox, <a href="http://www.hammond-organ.com/Museum/solovox.htm" rel="nofollow">http://www.hammond-organ.com/Museum/solovox.htm</a>, an electric contraption which clipped under a piano keyboard. He also used melodeons and harmonia on more than a few occasions in his chamber music writing. His ideas about page turning, pasting his music into scrolls which he could advance with his knees, anticipated the Borromeo&#8217;s practice of using laptop computers, perhaps.</p>
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		<title>By: Tom Schnauber</title>
		<link>http://classical-scene.com/2010/01/24/bmop-does-band/comment-page-1/#comment-1449</link>
		<dc:creator>Tom Schnauber</dc:creator>
		<pubDate>Mon, 25 Jan 2010 00:48:00 +0000</pubDate>
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		<description>Lee: they used a synthesizer imitating what sounded to me like a portative organ.  I haven&#039;t seen the score, so I&#039;m not sure exactly what it calls for.  Maybe Linda Osborn-Blaschke, the pianist who played this part so expressively, might know.  Gil Rose would, too, no doubt.  Anyone out there?</description>
		<content:encoded><![CDATA[<p>Lee: they used a synthesizer imitating what sounded to me like a portative organ.  I haven&#8217;t seen the score, so I&#8217;m not sure exactly what it calls for.  Maybe Linda Osborn-Blaschke, the pianist who played this part so expressively, might know.  Gil Rose would, too, no doubt.  Anyone out there?</p>
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		<title>By: Lee Eiseman</title>
		<link>http://classical-scene.com/2010/01/24/bmop-does-band/comment-page-1/#comment-1448</link>
		<dc:creator>Lee Eiseman</dc:creator>
		<pubDate>Sun, 24 Jan 2010 23:37:55 +0000</pubDate>
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		<description>Was the portative organ a harmonium, a melodeon, an electronic facsimile?</description>
		<content:encoded><![CDATA[<p>Was the portative organ a harmonium, a melodeon, an electronic facsimile?</p>
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