http://classical-scene.com/2010/04/18/transcendent-evening-with-boston-cecilia/ a virtual journal and blog of the classical music scene in Boston Fri, 10 Feb 2012 03:51:58 +0000 hourly 1 http://wordpress.org/?v=3.3.1 http://classical-scene.com/2010/04/18/transcendent-evening-with-boston-cecilia/comment-page-1/#comment-2183 Lee Eiseman Wed, 21 Apr 2010 15:12:31 +0000 http://classical-scene.com/?p=3473#comment-2183 The author thanks you for your astute corrections. The author thanks you for your astute corrections.

]]> http://classical-scene.com/2010/04/18/transcendent-evening-with-boston-cecilia/comment-page-1/#comment-2179 Josh Nannestad Tue, 20 Apr 2010 05:16:09 +0000 http://classical-scene.com/?p=3473#comment-2179 Thanks for this vivid review. One question and one correction, however: In the Haydn Kleine Orgelmesse, the author mentions the solo quartet, although the work contains only a soprano solo. Was some movement (or every movement) given over to the quartet, rather than the chorus? Secondly, the "fore-shadowing" of the War Requiem is not quite accurate, as the Cantata Misericordium followed the War Requiem by about 15 months (May 1962 and September 1963). Thanks for this vivid review. One question and one correction, however: In the Haydn Kleine Orgelmesse, the author mentions the solo quartet, although the work contains only a soprano solo. Was some movement (or every movement) given over to the quartet, rather than the chorus?
Secondly, the “fore-shadowing” of the War Requiem is not quite accurate, as the Cantata Misericordium followed the War Requiem by about 15 months (May 1962 and September 1963).

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